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Maynard is singing through a loudspeaker while Carey sets a solid foundation. The bass is playing a middle eastern like bass riff while the guitar is jamming on a pedal point. It percolates as it builds and at 1.58 the song starts. Watching em live, I saw how powerful this groove riff is, as a sea of bodies swayed and jumped in unison with it.Īt 3.30 a different riff and groove comes in which makes me want to break my desk in half.Īnd by the end of the song, Maynard is “shoulder deep inside the borderline” as he tells the person to relax, turn around and take his hand.Īlso written by Keenan, Jones, Carey and D’Amour.Īnother weird effect starts it off, which sounds like it’s coming from drum pads. The general impression I got from the lyrics (“finger deep inside the borderline”, “knuckle deep inside the borderline”, “elbow deep inside the borderline”) and the title is that the song is about “fisting” but other interpretations mentioned that is about getting your hands dirty with hard work.Ī weird effect is added to the guitar for the intro just before the heavy distorted groove riff fades in. Written by Keenan, Jones, Carey and the departed bassist Paul D’Amour. Jones in various interviews said he would never work with Massey again. And this version of the band would go on to remain the same to this day.Īnother big change is Dave Bottrill producing in place of Sylvia Massey. It’s also the first album to feature bassist Justin Chancellor, replacing Paul D’Amour, who became a victim of indie guilt as the band was getting bigger then D’Amour was comfortable with.Ĭhancellor joins guitarist Adam Jones, vocalist Maynard James Keenan and drummer Danny Carey. Pushing the limits of time on a CD.Īnd people responded. Released in 1996, but I heard it a year later. That album spawned the single “Sober” and a memorable video involving a creepy little meat puppet guy. “Aenima” is the follow up to the platinum selling “Undertow”. We’re sort of getting back to that approach.”Īdam Jones – Tool Guitar World – August 1996 They were working out a lot of emotions in their music, and as long as it took for them to record the songs, whether it was three minutes or 12 or 24 or a whole side of an album, that was fine.
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We grew up in a time when all our favourite albums by bands like Led Zeppelin and Pink Floyd weren’t quite radio friendly. Our label always wants us to edit songs and we refuse to do that. “We’ve never been a radio friendly band, which is three minutes, a three minute song. Lana Teramae on The Record Vault: Def Leppard…
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The Record Vault: Def Leppard – Hysteria.The Week In Destroyer Of Harmony History – January 31 to February 6.1986 – Part 4.5: Krokus – Change Of Address.This “children” of Tool are not as much appreciated by the band themselves but well… you canté expect everytone to be as risky and original as this guys.Enter your email address to follow this blog and receive notifications of new posts by email. Tool have been frequently cited as an influence by New Metal bands that emerged after this album, in the late nineties and beginning of the 2000s. Many of the songs make reference to social decay, capitalism, boredom and media as some of the worst experiences in human life. Tool narrates the decadence of nineties Californian culture. Great tracks such as the progressive Eulogy, the recited evolution scale in Forty six & 2 and the brillant title track Ænima are some of the album´s highlights. This is an idea that appears in the whole record: some anti-establishment take. Ænima is flooded with anti hollywood spirit it is a product that stands against the same industry that produced it. The first track Stinkfist (censored by MTv as Track #1) says: “I´ll keep digging / Til I feel something”.